![]() A useful feature is the “X” value, which shows if an “X run” has occurred. Again, this resembles the workflow of most standard DAWs and works especially well if you keep your track organised with some location markers on the editor screen.Ī status bar at the bottom of the screen displays relevant information about the session’s performance, such as buffer size, sample rate, and DSP. There is also a mini-timeline, which allows you to quickly navigate your track even when you are on the mixing screen. You can modify which elements are present on the transport toolbar with the preferences menu, which allows you to free up some screen space if, for instance, you are not using a feature like punch in/out. Here you find the standard transport controls you would expect, play, stop, rewind, etc. The general appearance of the DAW is very attractive, sporting a vintage plugin emulation vibe, only on a larger scale.Īt the top of both screens is the transport section. Yes, the whole program would probably be more efficient without the vintage graphics, but it adds to the charm of the whole experience, which is what I think the developer team at Harrison is going for here. The developers wanted to inspire the users by a more glamorous era of recording. Joking aside, Mixbus is as much about the feel of the DAW as it is about the features. Throw in a few humorous studio anecdotes, and you’re in the right frame of mind to start enjoying Mixbus. Just take your favourite 70’s multi-platinum selling artist, rewind their haircut to something more period-specific, and put them in front of a huge studio console, talking about how they recorded the riff to their biggest selling record. The whole thing feels like it’s lifted out of an old studio documentary and placed inside a computer screen. The designers definitely wanted to provide an authentic vintage console experience. ![]() It’s quite a dark look, making Mixbus distinctive from other DAWs. ![]() ![]() The general appearance of the DAW is very attractive, sporting a vintage plugin emulation vibe, only on a larger scale. It is also possible to detach the screens from each other into separate windows, if necessary, which would be particularly useful in a dual screen setup. Although it’s not much hassle to click between the two, one can also use a keyboard shortcut to speed things up (Ctrl+M on Mac and Alt+M on Windows will toggle between the editor and mixer panels). Mixbus has two main screens, the mixer and the editor, which can be switched between via two buttons at the top right of the interface. For me, I don’t mind a bit of scrolling and shuffling between which channels are visible, but it would certainly be a better user experience on a larger display. This is something to consider if you use a smaller screen. I got around this by resizing the display in the preference settings. I attempted to zoom in, although the zoom function did not work on my system. This did result in the dials on the channel strips becoming very small and fiddly and the values becoming unreadable, but other than that had no adverse effect on the interface. I use a 13″ MacBook Pro, which is a fairly popular item for home and mobile producers. When I first opened Mixbus, I encountered a warning that my display settings were not optimal, and Mixbus was resized to fit. Saving a license file at a specified location on your computer is all that is required to unlock them. To use them, you will need to purchase the relevant license. Mixbus incorporates a range of plugins, which are not the subject of this review but do come packaged with the software. The installation procedure for Mixbus is straightforward enough. Harrison proposes to blend the warmth of analogue mixing and the benefits of a large console workflow with the accessibility and practicality of the digital domain. Mixbus is a DAW produced by Harrison, operating at the same time as a fully featured DAW and a faithful emulation of the hardware components of a Harrison mixing console. Countless classic records were made on Harrison consoles, as well as a number of Hollywood films. Harrison is a company known for building studio consoles and has been making hardware for professional studios since the 70s.
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